![]() Evidence comes in the form of Egyptian scarabs – made from hippopotamus ivory – found in Minoan collective burial mounds. The story begins with contact between Egypt and Minoans from Crete as early as 3,000 B.C. What “Beyond the Nile” demonstrates is that, by the time of Cleopatra, encounters between Egypt and the Greco-Roman world had been taking place for at least two millennia, with consequences that had already proved momentous. Such a coming together was bound to be momentous. The show culminates in a kind of tropical cocktail party, featuring hippos, palm trees and a nude acrobat balancing upside down on an Egyptian crocodile. The exhibit vibrates with charismatic objects, among them portrait busts of Alexander the Great, Julius Caesar and Cleopatra, and several famous sculpted heads depicting Egyptian priests. 9), is a deep dive into how encounters with ancient Egypt shaped the civilizations of Greece and Rome. “Beyond the Nile: Egypt and the Classical World,” at the Getty Center (through Sept. Similarly, when the Greeks saw what the Egyptians had built at Giza, they were reminded of the little wheat cakes back home they called “pyramis.” Why Greek, rather than Egyptian? Because that is what early Greek visitors to Egypt called these strange stone pillars, which they hadn’t previously encountered. There’s even an authentic, 3,000-year-old Egyptian one in New York’s Central Park, known as “Cleopatra’s Needle.”Īll are “obelisks.” The word comes from the ancient Greek word for “little skewers.” Another, in Boston, commemorates the battle of Bunker Hill. The most famous, obviously, is the Washington Monument. ![]() All the ideas clearly come from the libretto, but they really let themselves be carried by the music, by the ideas in the music, and that is very, very rare.LOS ANGELES – Big, needlelike sculptures, based on Egyptian prototypes, are dotted all over America. "Patrice Caurier and Moshé Leiser are directors I've already worked with – we collaborated on productions in Zurich and Covent Garden in London – for me they are incredible artists with a real love for music. "Everything comes from the fact that I have always sought to bring interesting musical projects, with themes that are interesting too. "Muti was the last one, and before him other great conductors, the first of which was Karajan. In the past, directors have all been great conductors," she went on. "It's a very great privilege to direct this festival. Her three year term began with Handel's opera Cleopatra, but included concerts on the theme of this mythical queen by other composers including Massenet, Berlioz, Brahms, Schumann. She took on the role of the Whitsun Festival's artistic director. And with Anne Sofie von Otter we really have a prestigious cast."Ĭecilia Bartoli had another challenge in Salzburg too, beyond Cleopatra. Then in the title role there's Andrea Scholl, with all his experience of the baroque repertoire he has a very beautiful voice. ![]() We have an exceptional cast – Philippe Jarrousky singing Sesto is a fabulous counter-tenor with a truly splendid voice. "Julius Caesar is a difficult opera that lasts four hours. Because of this love and the trials and tribulations that come from it, Cleopatra is a marvellous woman. "Then she discovers love, but with this love for Caesar everything changes, this once strong woman becomes fragile. "To begin with, Handel's Cleopatra is a pretty stiff, severe, authoritarian woman always fighting with her brother Ptolemy. "The Cleopatra I love is the woman of a thousand faces, that's probably the mystery of Cleopatra," she told euronews. The mezzo-soprano Cecilia Bartoli plays Cleopatra. ![]()
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